time that I reviewed. There were also a good many Maritime French families whose native language was English, and so had the same cultural dislocation in reverse. The title of the book has been pilfered from Margaret Atwood's. MacGillivray, then editor of the. The piece is polemical and immature, but I think it got hold of a genuine theme. The Literary History of Canada (1965 constitue son expos le plus complet sur la littrature et la culture canadiennes. However, what seems to reason and experience to be perpetually coming apart at the seams may seem to the imagination something on the point of being put together again, as the imagination is occupationally disposed to synthesis. Such notions came mainly not from other critics but from poets making critical obiter dicta. The Bush Garden, Spiritus Mundi ). Lawrence-Great Lakes axis, and expressed in the national motto, a mari usque ad mare.
Klinck s, literary History of Canada. University of Toronto Quarterly entre 1950 et 1959. Cants du ciel which was devoted to English Canadian poetry. I was fascinated to see how the viii echoes and ripples of the great mythopoeic age kept moving through Canada, and taking a form there that they could not have taken elsewhere. I finally realized what it was: he had lived, in his impressionable years, in a world where colour was a constant datum: he had never seen colour as a cycle that got born in spring, matured in a burst of autumn flame, and then diedout.
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